Cinema of Paradox: The Individual and the Crowd in Jia Zhangke’s Films
نویسنده
چکیده
...................................................................................... .......3 Introduction.........................................................................................6 Part 1: Rethinking Chinese National Cinema Chapter 1 National Cinema and Collective Subjectivity.....................................25 Chapter 2 Jia Zhangke as a Method.............................................................61 Part 2: A Man in the Crowd Chapter 3 Rescuing Individual from the Nation: The Emergence of the Individual Subject in Xiao Wu................................................................................70 Chapter 4 A Song Unheard: Memory, Desire, and Frustration in Platform..............101 Chapter 5 The Death of a Man: The Local and the Global in The World.................122 Part 3: Voices of Multitude Chapter 6 The Discovery of Landscape: People and Space in Still Life and Dong......149 Chapter 7 Rethinking Documentary: The Distance to the Object and Self-reflection in Dong and Useless................................................................................162 Conclusion.........................................................................................185 Bibliography......................................................................................200 Filmography.......................................................................................223
منابع مشابه
Assessment of the Nurse Image in Iranian Cinema
Introduction:Nursing is a profession that requires a positive view of society and governments for growth and excellence. Providing a distorted or populist image of the profession can have negative consequences for health care providers. This article aims to explain the image of nurses in Iranian cinema in the last three decades. Methods: This content analysis study was conducted in 1398 in Semn...
متن کاملOntology of Time in Cinema A Deleuzian reading of Still Life and Prince Ehtejab With an emphasis on the concept of Time-Image
Gilles Deleuze, the notable post-modern philosopher, in his two-volume cinematic books Cinema 1: movement-image (1986) and Cinema 2: time-image (1989) recognizes two major periods in history of cinema (classic and modern) in terms of representing movement and time respectively. Referring to various films of modern cinema especially post-war European cinema like Italian neorealism, Cinema2 speak...
متن کاملSemantic Analysis and Comparison of Family Structure in Iranian Cinema of the 70's and 90's: A Case Study of Leila and the Ice Age
Aim: Family representation in the media expresses dominant discourses about its structure and patterns, and the media can create, confirm, or modify these discourses. This article looks at how family rules, structures, and patterns have evolved over the past few decades, and how cinema has played a role in this transformation and discourse, and in what ways, tools, as well as the changes in the...
متن کاملThe Portrayal of Women in English Films Localized into Persian
Audiovisual translation, the same as other forms of intercultural communication, tends to intervene with the original in order to comply with the norms of the receiving culture. Since the Islamic Revolution of 1979, the Iranian cinema has resorted to a conservative approach wherein the portrayal of the role of women, among other cultural issues, has been controlled to adapt to the Islamic thoug...
متن کاملAnalyzing the structure of urban elements "dar donyaye to saat chand ast?" An overview of the relationship between the city and the cinema
Representation of the city and the redefinition of time, space, and space realities in various media such as cinema due to the involvement of the unconscious mind and mind of the viewer can play an important role in shaping the city's image, recognizing it, and defining the norms and abnormalities of urban behavioral patterns. Slowly The present research is aimed at the impact of mass media and...
متن کامل